Category Archives: Curatorial
A̶C̶R̶Y̶L̶I̶C̶: A matter of (ir)rationalizing
ROH Projects is pleased to present Aditya Novali’s second solo exhibition with the gallery, A̶C̶R̶Y̶L̶I̶C̶, featuring completely new works. This show begins a two-part series that will find a continuation that will be shown in a separate presentation during Art Basel
A̶C̶R̶Y̶L̶I̶C̶: A matter of (ir)rationalizing
ROH Projects is pleased to present Aditya Novali’s second solo exhibition with the gallery, A̶C̶R̶Y̶L̶I̶C̶, featuring completely new works. This show begins a two-part series that will find a continuation that will be shown in a separate presentation during Art Basel
Museum Tanpa Tanda Jasa
(Scroll down for English.) Foto pameran oleh Reza Zefanya. Foto milik ROH Projects. Museum Tanpa Tanda Jasa (MTTJ) adalah sebuah proyek seni rupa yang bercita-cita untuk memantik perbincangan mengenai demokrasi dalam era Reformasi dengan publik seni rupa sembari tidak menutup diri untuk
Museum Tanpa Tanda Jasa
(Scroll down for English.) Foto pameran oleh Reza Zefanya. Foto milik ROH Projects. Museum Tanpa Tanda Jasa (MTTJ) adalah sebuah proyek seni rupa yang bercita-cita untuk memantik perbincangan mengenai demokrasi dalam era Reformasi dengan publik seni rupa sembari tidak menutup diri untuk
Tahun Tanah (The Earth Year) 2015
In 1905, Haj. Umar bin Maaruf invited ceramicist Mr. Barmawi to come to Jatiwangi, who then taught his students how to make roof tile for his boarding school and mosque. Since then, Mr. Barmawi never left Jatiwangi. More than 100
Tahun Tanah (The Earth Year) 2015
In 1905, Haj. Umar bin Maaruf invited ceramicist Mr. Barmawi to come to Jatiwangi, who then taught his students how to make roof tile for his boarding school and mosque. Since then, Mr. Barmawi never left Jatiwangi. More than 100
#banyakbanyak
banyakbanyak.tumblr.com is an on-going project. That link charts the progress of the latest installment of The Independence Project, a series of cross-cultural exchanges between the Melbourne-based gallery Gertrude Contemporary and colleague organizations, curators and artists throughout Asia. In 2015 Gertrude is working with Yogyakarta-based curators Kristi Monfries and Grace Samboh to facilitate
#banyakbanyak
banyakbanyak.tumblr.com is an on-going project. That link charts the progress of the latest installment of The Independence Project, a series of cross-cultural exchanges between the Melbourne-based gallery Gertrude Contemporary and colleague organizations, curators and artists throughout Asia. In 2015 Gertrude is working with Yogyakarta-based curators Kristi Monfries and Grace Samboh to facilitate
Speculating Terhah at Kuandu Biennale 2014
(For English and Chinese version, click here.) Sebuah Spekulasi: Lewat Bahasa Terhah, Seni Kembali Jadi Ritual Sehari-hari “Cengklimuh?” “Burjuah.” “Ciknur!” Obrolan sejumlah mahasiswa di lorong Gedung Seni Grafis di Institut Teknologi Bandung (ITB) itu dilakukan sambil tersenyum jahil. Sekilas, bahasa yang mereka
Speculating Terhah at Kuandu Biennale 2014
(For English and Chinese version, click here.) Sebuah Spekulasi: Lewat Bahasa Terhah, Seni Kembali Jadi Ritual Sehari-hari “Cengklimuh?” “Burjuah.” “Ciknur!” Obrolan sejumlah mahasiswa di lorong Gedung Seni Grafis di Institut Teknologi Bandung (ITB) itu dilakukan sambil tersenyum jahil. Sekilas, bahasa yang mereka
HIS STORY
“The camera makes everyone a tourist in other people’s reality, and eventually in one’s own.” ―Susan Sontag Internet and social media as its conjoined twin are sentient. The confusion between prioritizing our online and offline realities is now honest, almost
HIS STORY
“The camera makes everyone a tourist in other people’s reality, and eventually in one’s own.” ―Susan Sontag Internet and social media as its conjoined twin are sentient. The confusion between prioritizing our online and offline realities is now honest, almost
MUT(ABL)E
As a subject matter, the body surely cannot be represented. However, as a medium or material it may be represented through a wide amalgam of manners. How does Ferial Afiff choose to delegate her body towards other performers? Could the
MUT(ABL)E
As a subject matter, the body surely cannot be represented. However, as a medium or material it may be represented through a wide amalgam of manners. How does Ferial Afiff choose to delegate her body towards other performers? Could the
Rivers of the world 2014
Mari kita sama-sama belajar dan berbagi! Lokakarya dan pameran Rivers of the World di Solo RoTW kali ini dimulai dengan mengumpulkan seluruh siswa dari ke enam sekolah untuk lokakarya awal. Pertama, kakak-kakak dari Yayasan Kampung Halaman menceritakan sejarah Bengawan Solo
Rivers of the world 2014
Mari kita sama-sama belajar dan berbagi! Lokakarya dan pameran Rivers of the World di Solo RoTW kali ini dimulai dengan mengumpulkan seluruh siswa dari ke enam sekolah untuk lokakarya awal. Pertama, kakak-kakak dari Yayasan Kampung Halaman menceritakan sejarah Bengawan Solo
Peristiwa sebuah kelas
Rangkaian peristiwa ini akan dibuka pada Senin, 9 Desember 2013, 19.00 WIB (– selesai), oleh Pak Putu dan Grace Samboh; dengan serangkaian performans oleh Ngakan Ardana, Pius Sigit Kuncoro, dan Wimo Bayang.
Peristiwa sebuah kelas
Rangkaian peristiwa ini akan dibuka pada Senin, 9 Desember 2013, 19.00 WIB (– selesai), oleh Pak Putu dan Grace Samboh; dengan serangkaian performans oleh Ngakan Ardana, Pius Sigit Kuncoro, dan Wimo Bayang.
MAKCIK PROJECT EPISODE #2: We are all human
MAKCIK PROJECT EPISODE #2 WE ARE ALL HUMAN How do we learn from each other? Transgender women (feel that they) are not men and at the same time they can never (really) be women. It is not strange at all if
MAKCIK PROJECT EPISODE #2: We are all human
MAKCIK PROJECT EPISODE #2 WE ARE ALL HUMAN How do we learn from each other? Transgender women (feel that they) are not men and at the same time they can never (really) be women. It is not strange at all if
グレース・サンボー 