Category Archives: Curatorial
Jakarta Biennale 2021 ESOK
Excerpts ESOK is a hope, a shared hope; it is a prayer for all humans to be gratified instead of being repressed or tortured. We are all entangled in histories, personal or otherwise, in which human rights issues play a
Jakarta Biennale 2021 ESOK
Excerpts ESOK is a hope, a shared hope; it is a prayer for all humans to be gratified instead of being repressed or tortured. We are all entangled in histories, personal or otherwise, in which human rights issues play a
Collecting Entanglements and Embodied Histories
The conference seeks to open up new perspectives on storytelling, narrativisations of history and their embodiment in performative arts and practices in Southeast Asia. Central questions are how, in very different ways, these practices offer new potentials to be presented,
Collecting Entanglements and Embodied Histories
The conference seeks to open up new perspectives on storytelling, narrativisations of history and their embodiment in performative arts and practices in Southeast Asia. Central questions are how, in very different ways, these practices offer new potentials to be presented,
Bad English: Can we really be friends?
An essay contribution in the catalogue of Ties of History: Art from Southeast Asia. ABOUT THE EXHIBITION The Philippines organizes an exhibition of contemporary art in Southeast Asia in Manila to mark the 50th year of the Association of Southeast Asian
Bad English: Can we really be friends?
An essay contribution in the catalogue of Ties of History: Art from Southeast Asia. ABOUT THE EXHIBITION The Philippines organizes an exhibition of contemporary art in Southeast Asia in Manila to mark the 50th year of the Association of Southeast Asian
Choreographed knowledges
Choreographed Knowledges is a project by artist Julia Sarisetiati, curated by Grace Samboh, building on the artist’s long-term research and engagement with Indonesian migrant workers. Choreographed Knowledges aims to explore how bodies of power such as state and corporations, “choreograph”
Choreographed knowledges
Choreographed Knowledges is a project by artist Julia Sarisetiati, curated by Grace Samboh, building on the artist’s long-term research and engagement with Indonesian migrant workers. Choreographed Knowledges aims to explore how bodies of power such as state and corporations, “choreograph”
Daur amanat
Rata-rata orang Indonesia hanya memakan daging sapi sebanyak 2,7 kg per tahun, sementara orang Australia bisa sampai 110 kg. —Secondary cut, Ary “Jimged” Sendy, 2018 Kapan terakhir kali Anda memakan steak? Kita bahkan tak punya padanan kata steak dalam bahasa Indonesia. Memang dalam Kamus Besar
Daur amanat
Rata-rata orang Indonesia hanya memakan daging sapi sebanyak 2,7 kg per tahun, sementara orang Australia bisa sampai 110 kg. —Secondary cut, Ary “Jimged” Sendy, 2018 Kapan terakhir kali Anda memakan steak? Kita bahkan tak punya padanan kata steak dalam bahasa Indonesia. Memang dalam Kamus Besar
in suspense
In literature, “suspense” is both a genre and also a state of mind generated within the reader. There is a variety of ways to do this; through the withholding of information or in utilization of the objective viewpoint of a
in suspense
In literature, “suspense” is both a genre and also a state of mind generated within the reader. There is a variety of ways to do this; through the withholding of information or in utilization of the objective viewpoint of a
SUNSHOWER: Contemporary art from Southeast Asia, 1980s to now
With its total population counting around 600 million, multi-ethnic, multi-lingual, multi-faith Southeast Asia has nurtured a truly dynamic and diverse culture. Contemporary art from the emerging economic powerhouse of Southeast Asia is currently earning widespread international attention. The “sunshower” –
SUNSHOWER: Contemporary art from Southeast Asia, 1980s to now
With its total population counting around 600 million, multi-ethnic, multi-lingual, multi-faith Southeast Asia has nurtured a truly dynamic and diverse culture. Contemporary art from the emerging economic powerhouse of Southeast Asia is currently earning widespread international attention. The “sunshower” –
Carte blanche: Anxiety
“Visible things can be invisible. If somebody rides a horse through a wood, at first one sees them, and then not, yet one knows that they are there. In Carte Blanche (1965), the rider is hiding the trees, and the
Carte blanche: Anxiety
“Visible things can be invisible. If somebody rides a horse through a wood, at first one sees them, and then not, yet one knows that they are there. In Carte Blanche (1965), the rider is hiding the trees, and the
Along with the tusks and the stripes
To collect means to gather or bring together things—that are typically scattered or spread. This exhibition explores collections of artworks that are made of considerably fragile mediums such as paper and other consciously chosen ephemeral materials. In relation to the
Along with the tusks and the stripes
To collect means to gather or bring together things—that are typically scattered or spread. This exhibition explores collections of artworks that are made of considerably fragile mediums such as paper and other consciously chosen ephemeral materials. In relation to the
Mata pelajaran ke-15
Sebuah catatan kuratorial Oleh Angga Wijaya dan Grace Samboh Landasan berpikir Ada dua hal yang segera muncul saat memikirkan sebuah pameran sebagai bagian dari perayaan 10 tahun Serrum, Festival Ekstrakurikulab. Pertama, para seniman yang punya kecenderungan praktik pendidikan (baik formal
Mata pelajaran ke-15
Sebuah catatan kuratorial Oleh Angga Wijaya dan Grace Samboh Landasan berpikir Ada dua hal yang segera muncul saat memikirkan sebuah pameran sebagai bagian dari perayaan 10 tahun Serrum, Festival Ekstrakurikulab. Pertama, para seniman yang punya kecenderungan praktik pendidikan (baik formal
グレイス・サンボフ 