Author Archives: Grace Samboh
How they did art then*
To reconstruct the history of video art is not the aim of this presentation. This presentation tries to present historical works, which is often mentioned, talked about, studied, analyzed, referred, etc, in many publications (and even other works) that have
How they did art then*
To reconstruct the history of video art is not the aim of this presentation. This presentation tries to present historical works, which is often mentioned, talked about, studied, analyzed, referred, etc, in many publications (and even other works) that have
Looking at the market issue in the archives of Jogja Biennale
Jogja Biennale X 2009 Jogja Jamming: Arts Archives Movement (BJX 2009) started with an enlightening statement seen on the invitation for the participating artists, “No works are sold during the Biennale event and by the organizers of the Biennale.” Meanwhile,
Looking at the market issue in the archives of Jogja Biennale
Jogja Biennale X 2009 Jogja Jamming: Arts Archives Movement (BJX 2009) started with an enlightening statement seen on the invitation for the participating artists, “No works are sold during the Biennale event and by the organizers of the Biennale.” Meanwhile,
ON PROGRESS
project|presentation is one of ART|JOG|11’s section that features a number of ongoing art projects. All the works being displayed here are parts of a longer-term project initiated by the artists themselves. Not only that this presentation brings to you the
ON PROGRESS
project|presentation is one of ART|JOG|11’s section that features a number of ongoing art projects. All the works being displayed here are parts of a longer-term project initiated by the artists themselves. Not only that this presentation brings to you the
Once upon a time in Rawalelatu: An attempt to reconstruct the past
“Identity is no longer experienced as something one inherits and life is no longer predestined by the fixed lane of the personal biography. Today, identity can be tested, changed, stylised and taken back” (Ziehe & Stubenrauch, 1983) Prologue R. W.
Once upon a time in Rawalelatu: An attempt to reconstruct the past
“Identity is no longer experienced as something one inherits and life is no longer predestined by the fixed lane of the personal biography. Today, identity can be tested, changed, stylised and taken back” (Ziehe & Stubenrauch, 1983) Prologue R. W.
The free heads
A variety of issues come and go during S. Teddy D’s creative journey, starting from frivolous matters about his neighbors, his dog, his love story, his daughter, ideas, his reactions toward the government, his protests against violence, on to his
The free heads
A variety of issues come and go during S. Teddy D’s creative journey, starting from frivolous matters about his neighbors, his dog, his love story, his daughter, ideas, his reactions toward the government, his protests against violence, on to his
Speech Objects
The context In his manifesto of Fluxus (what we call art-fun), 1965, George Maciunas claimed determines the status of non-professional artist demonstration by the artist himself of his dispensabilité,
Speech Objects
The context In his manifesto of Fluxus (what we call art-fun), 1965, George Maciunas claimed determines the status of non-professional artist demonstration by the artist himself of his dispensabilité,
United of Nothing: Mount Merapi 2010 Eruption
Karena membantu bukan pekerjaan kami, ini hanyalah hobi, United of Nothing adalah ruang dimana kami bisa mengekspresikan rasa kemanusiaan dan solidaritas. Prestasi dan monumen kemanusiannya terbangun di dalam jiwa kami. Taken from the United of Nothing web.
United of Nothing: Mount Merapi 2010 Eruption
Karena membantu bukan pekerjaan kami, ini hanyalah hobi, United of Nothing adalah ruang dimana kami bisa mengekspresikan rasa kemanusiaan dan solidaritas. Prestasi dan monumen kemanusiannya terbangun di dalam jiwa kami. Taken from the United of Nothing web.
The IVAA-AAA researchers’ exchange
This August, the Asia Art Archive welcomed visiting researcher Grace Samboh from Yogyakarta, Indonesia. Grace was selected by the Indonesian Visual Art Archive (IVAA)
The IVAA-AAA researchers’ exchange
This August, the Asia Art Archive welcomed visiting researcher Grace Samboh from Yogyakarta, Indonesia. Grace was selected by the Indonesian Visual Art Archive (IVAA)
merchandise|project
Several English-Indonesia dictionaries would translate ‘merchandise’ as ‘goods’ or ‘commodity’. Its most basic form is this: almost every city or country has their own merchandise, also known as souvenir, or gifts. It sounded cheap in contrast to the positioning of
merchandise|project
Several English-Indonesia dictionaries would translate ‘merchandise’ as ‘goods’ or ‘commodity’. Its most basic form is this: almost every city or country has their own merchandise, also known as souvenir, or gifts. It sounded cheap in contrast to the positioning of
Comical Brothers: Catatan kuratorial
Grace Samboh (ko-kurator) Bayangan awalnya, bakalan kayak apa sih bentuk pameran ini? Bambang ‘Toko’ Witjaksono (kurator) Ya, selain ada komik dalam bentuk buku itu sendiri, ya ada macam-macam “produk”. Artinya “produk” apapun yang bukan buku komik itu sendiri.
Comical Brothers: Catatan kuratorial
Grace Samboh (ko-kurator) Bayangan awalnya, bakalan kayak apa sih bentuk pameran ini? Bambang ‘Toko’ Witjaksono (kurator) Ya, selain ada komik dalam bentuk buku itu sendiri, ya ada macam-macam “produk”. Artinya “produk” apapun yang bukan buku komik itu sendiri.
グレイス・サンボフ 